Elio (2025) Domee Shi and Madeline Sharafian With each subsequent Pixar movie, I have become more and more nervous for the studio’s future. Between their newfound focus on sequels and a few lackluster original films, I’m starting to lose hope. Elio wasn’t a total failure or anything—I still enjoyed it decently—but it was a far cry from the classics I had come to expect from Pixar as a kid. What I can…